After the First World War, Lilly’s father returns home a different man than the one that left for war.
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Director Biography – George Lynch
George Lynch is a writer, director, photographer and videographer from Cork, Ireland. He has worked predominantly in freelance videography and photography, including Ireland’s leading drag performance collective, Mockie Ah!, CoCo Comedy Club, and the monthly film showcase The People’s Picturehouse Cork, amongst many others.
He graduated from Actorsvision School of Acting Cork in Acting For Camera, was part of the Lord Puttnam Scholarship programme 2023-2024, and has directed numerous short films since he was thirteen years old. He won the 2019 Best Young Filmmaker (Under 19) at Fastnet Film Festival, and the 2020 #Filmbreaker Award at the SF3 Smartphone Film Festival for his short film ‘The Kidnapper’s Ransom’. His previous short film, ‘Unseen Riders’, a documentary on the lives of two Deliveroo riders in Cork, was selected for the 2023 IndieCork Film Festival and was a finalist for the Tom Clancy Jnr Award for Best Irish Student of Film & Media Studies 2024 at Fastnet Film Festival.
His latest film, ‘Fragmented’ was developed as part of a thesis for his Master’s Degree in Film & Screen Media at University College Cork. The thesis and film explores the depiction of war in cinema, aimed to portray the lasting effects of trauma and war in a sheltered, civilian society.
George Lynch is currently developing that story into a feature film.
Director Statement
Ever since I first saw the prosthetic masks developed by Anna Coleman Ladd from the First World War, I was fascinated by the efforts to recreate the likeness of a person and how they steeped into the uncanny valley. The implementation of a moustache to create the illusion of a face, glasses where their only functional purpose was to hold the mask, felt as if were an attempt to regain a sense of normalcy, but under the surface the scars of war remain.
While much praise was attributed to these masks for the breakthrough at the time, their are very few accounts on the lives of the veterans that obtained these masks after the war. History has proved that life for veterans of the First World War was challenging, through post-war economy, disability, and underlying effects of shell-shock, or what is known today as Post Traumatic Stress Disorder. With these factors in mind, I hypothesised what life for a disfigured veteran could have been, to recontextualize our current understanding of trauma and PTSD in a period where the characters do not have that same understanding.
The title ‘Fragmented’ was inspired by the early to mid-twentieth century texts made during or after the First World War, such as ‘Mrs. Dalloway’ and ‘The Waste Land’, where the writings reflected the fragmentation of a person’s consciousness in the wake of a traumatic event, but the word could also be attributed to physical appearance of the disfigured veteran, or to the strained relationship in the family.
While the film depicts a story set in the past, the themes and trauma of war unfortunately remain relevant today. In Ireland I have meet and talked to people that have experienced or are linked to the traumas of war and conflict, wether it is from Syria, Ukraine, or Gaza, and it is possible that you or someone you know have meet a someone with a similar background. I hope that the people that will watch the film take away the importance of recognising trauma and it’s lasting effects, how it affects survivors and the people around them, to not be judgemental and remain opened minded, and open hearted.












| George Lynch Director, Writer Unseen Riders, The Kidnapper’s Ransom Sean J. Forde Producer On Tick, Stand By Sarah Faye Terry Key Cast Jimmy, Not My Sister Christine Terry Key Cast Coleen, One For Icon, Midnight City Daniel Fitzgibbon Key Cast Empire of Dirt, Rosalyn, Night Shift Seán Leahy Director of Photography Benji, Thus Spake Zach O’Thústla Sofiia Broodman Production Designer Hokum Maeve O’Sullivan Hair & Make-Up Head First, Homofónia Ruby Tina Composer Wine & Blood, Stuck Ian Walsh Colourist Fertile Ground, Substance |

